The latest issue of moonshine is up. Whew, that was tough work! The stylesheet has changed to dark with light text for the cover; not sure if I will keep it, but it seemed aprops for the time of year. It almost seems a little too much "me" which I suppose is okay, but I'm going to try to do something completely different with December's issue. Part of the problem is that most of the webwork I do is very institutional looking, so when I get a chance, I really try to break out of that mold.
I'm also never sure if I am happy with my graphics work by the time I finish. This design is no different. I liked my pumpkin and bones okay to begin with, but welll...
Artistically speaking, I usually hate whatever I am working on by this point -- yet I somehow feel that it is done. I don't know how to explain that -- you either get it or you don't. ;-)
However, writing wise, this issue is really solid. I love the podcasts, too!
Also, if you want to get the issue online complete with images, drop me a line. As always, always, always looking for writers.
I would love some feedback.
These days and nights, the winds of culture, politics, and everything else seem to change at the drop of the hat. So what do artists do in such unpredictable times? Sometimes change can be an unforeseen catalyst, whipping up all sorts of artistic delights --- Writings, music, paintings, photography... perhaps, by the light of the moon. Take a moment to find some inspiration in the work of Southern writers & artists.
Jasmine Rizer's lively serial, "Keeping it in the Family" concludes; Part 1 is available at "Keeping it in the Family"; Karen Hennessee finds the maroon while Brenda Basham reflects on the Greatest Romantic Story ; Sandra Jones Cropsey answers, Who's there? , while McCabe Coolidge continues his series, Seven Questions with this question: How did your Robin die? Thoughtful poetry from Brenda L Basham (Images) , Russell Lee Hale I (a pair: I Know Not, The Mask; The Mask ), John S Moon (Lonely Soldier) , Sandy Vanderbleek (he) and a collection of Haikus by Gilbert Head.
FROM THE STUDIO
Studio views features Sandra Babb's essay on Politely Painting the Preacher Lady; Despina Panagakos Yeargin thinks vibrant and funky painter, Jeffrey Callaham is in Love -- check out her interview and his work to see for yourself! Photographer Frank Hamrick reflects on the goodness of growing your food and finds inspiring subjects for photography, too. Hannah Leatherbury's audio interview (a podcast) with fiber sculpture artist Justine Dennis delves into this quirky artist's mind. Allen Bell and Hannah Leatherbury also encourage you to Steal this Idea! (courtesy of the Southern Arts Federation).
ON CREATIVITY AND THE CULTURE OF ART
robin fay continues to explore Creativity (pt. 6 in a series, focusing on the role of artists in society) while Rachel Anders explores the art and music in her neighborhood in The Arts in Iredell County. Hannah Leatherbury shares colleague Allen Bell's interviews with participants in the Southern Circuit Tour, a tour of independent films, in Southern Circuit Tour, interview with filmmaker, Jed Riffe and Southern Circuit Tour interviews with filmmaker, Muhammad Naqvi ; both are podcasts with Muhammad Naqvi's article including a video clip of the trailer for his film Shame. Regular contributor Brenda Basham reflects on Psychological Ponderings: Quality Equality; while Dorothy Birch offers us some tips for Stoking Your Creative Fires This Fall. as well as some colorful seasonal photos.
ART & TECHNOLOGY
Donna Rosser aka the Barefoot Photographer shares her Fall Photo Opportunities and enchanting photographs with us.
Book reviews for October are Enclosure by Andy Goldsworthy reviewed by Andrew Shupling, a book of work by ephemeral artist, Andy Goldsworthy, who works with items in nature, such as rocks, leaves, snow, and even the rain as it falls on the ground;
Three Shadows reviewed by Andrew Shupling, a graphic novel by Cyril Pedrosa (a former Disney illustrator) and Dali & I: The Surreal Story by Stan Lauryssens reviewed by Heather Kline, an interesting insight into both the contemporary art market and the creation of the Dalí persona. Music matters features a review of Down the Road I'll Go, by Curt Bouterse, "fret-less oldtime music"; while Hannah Leatherbury talks with Reuben Hoch of the Chassidic Jazz Project, a group who fills voids in both the Jazz and World music genres. (courtesy of the Southern Arts Federation).
Check in with a Short Girl comix, book reviews, work from the Southerncreativity gallery (@ Flickr), art announcements & calls for entries.
Find the sublime by the light of the moon.